das honighaus

the dream makes of unknown places the sites of our being, single localities for the disparate I to reside in or visit.
[Flash 9 is required to listen to audio.]
The Durutti Column

—Opera II

The Durutti Column - Opera II, from Vini Reilly

where dose man ray eyes

cmon baby don’t forget

me i never conned u 

just wanna feel

ya

just missin ya babe

aint on no mission but the present coaster of dust wheelin, head back browned neck, falling asleep at the wheel then seein im not even at the wheel, its you, im

just next to you, looking at you but your eyes are on the road and i can only see the sides

i can only see the sides of your eyes

the integrity of the brand is threatened at all junctures where the potential insertion of the brand is overlooked. 

Halcyon Hall, New York

Halcyon Hall, New York

i got some new measuring tools, for making things exact

the birds are singing

it’s getting dark

i am riding through

the wet green park

Richters Glasscheiben appeared in a recent dream, dividing two apartments at the very top of a building. There were only two floors - the ground floor, where I entered and began climbing the stairs; and the floor where you and this other lived. The structure was rectangular but clearly comparable to a lighthouse in its ordering of space. 

Richters Glasscheiben appeared in a recent dream, dividing two apartments at the very top of a building. There were only two floors - the ground floor, where I entered and began climbing the stairs; and the floor where you and this other lived. The structure was rectangular but clearly comparable to a lighthouse in its ordering of space. 

every word arrangement is the birth of a heavy block of color. 

every green plant behind glass is a call to dissolution. 

[Flash 9 is required to listen to audio.]
Urinals

—Hologram

Urinals - Hologram

half bottles, thirds of bottles, split lengthwise and drawn as a state of one’s mind

Bene Rohlmann, from “Einsichten”

Bene Rohlmann, from “Einsichten”

Elisabeth Frink, Man and Horse VI

Elisabeth Frink, Man and Horse VI